![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglGfWFUsZwKoF5ZTqMd-SRPVgABN3bg51_D_5tDXqoQsShv59Yp8JQszCHKXwVJBaRp3BjtOARnZxH_pDGYt4NVDk6MAx3eFXNgICtz18-F0aLlUClvxUO7iB1ffsR3vaQ_tX47zVSvEME/s400/IMG_0014.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbCF8bRJUFXzBcb-IwqXHvfPprUG_qz-2J_lsm8lL7zu2z7-7sIVgCI-Jo8sDFDTm7tGsoQ5oRaUr7Rr696Pw-aD7HI3qk0Gnrhxi9CT5dIKFuU_83IJLIClQ8IZjfsPj-PdUoCm9gqeZu/s400/IMG_0009.jpg)
Daphne, my intern on the Bovenlanden Proiect, and below, Henriëtte with her mother Ria. For some reason these snapshots, taken almost without noticing, hit me as very 'true' when I imported them and looked at them for a while. Silhouettes have an intense effect on me, more than faces. It's as if I could feel them walk away from me. And I like how they stick out from the surrounding flatness. And the space between mother and daughter fascinates me - so close and yet so distinct in their features.
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