Object Rotterdam was like last year, the boring one of the two shows, with hard neon light, static presentations and important looking (wannabe) designers - in contrast to the tipsy, out of line, talkative artists on the other side of the road (which I feel a lot closer too, to be honnest). There was ONE thing that gave me shivers, Scholten & Baaijings's Total Table Design, a cooperation with Royal Leerdam Crystal (glassware), Koninklijke Van Kempen & Begeer (cutlery/table accessories) and the Audax Textile Museum. Scholten and Baijings are real shapers (vormgevers), in the crafty sense of the word, with a sense of aesthetics, details and texture that left meunder their spell for a while. Thank you Stefan and Carol for taking things this far. It proves that good design can renew our sensitivity to the world.
Tracey Snelling @ Gallery Cokkie Snoei # Bad Motel, # 2008, # mixed media, # 106 cm x 58 cm x 36
Either I'm addicted to dream-like houses and scale models, or the art world is. The 2010 opening of Art Rotterdam was busy as always, and my hurried visit amidst the bubble wine frenzy left me with a homesick feeling and four names in my notebook: Snelling, Sep, Halsmans, and Van der Ende. They make bad motels, uncanny markets, flagmans houses, insomnia motels, a slow city. I decided to start a collection of beautiful alternative homes, also because these days I'm fevereshly sketching on a weather house (a house with the weather inside) for a project, whatever that may become..
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