tag:blogger.com,1999:blog-15532746810787010162024-02-19T02:59:39.935-08:00 o n g e l o f e l i j k things that matter & things in progressAtelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.comBlogger106125tag:blogger.com,1999:blog-1553274681078701016.post-69838673684253974312014-01-16T03:55:00.001-08:002014-01-16T03:55:08.624-08:00Archived Blog, New Website<div dir="ltr" style="text-align: left;" trbidi="on">
As of January 2014 this blog is not operational anymore. Please visit Atelier Sophie Krier at her new <a href="http://www.sophiekrier.com/">website</a>.</div>
Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-88319805393304734972013-10-21T00:57:00.003-07:002013-10-21T00:57:42.100-07:00Archive Atelier Sophie Krier<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-size: x-small;"><span style="font-family: Arial, Helvetica, sans-serif;">Hello, </span></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">www.sophiekrier.com is offline for maintenance.</span><br />
<span style="font-size: x-small;"><span style="font-family: Arial, Helvetica, sans-serif;">Below is an archive of selected projects of atelier sophie krier since 1999.</span></span><br />
<span style="font-size: x-small;"><span style="font-family: Arial, Helvetica, sans-serif;">For credit & brief information, please write to info@sophiekrier.com</span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: xx-small;">Field Essays Issue One, Every Object Contains An Image (Sophie Krier, Bas Princen, Jonathan Muecke), <a href="http://www.onomatopee.net/project.php?progID=27d7366079730d82a7feb8c8fe5b9943">Onomatopee</a>, 2013.</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrDWS80dzivSdLGdxxGW1njF6GQmDJk5lVCh_UaO84jjjVhXNXzBkbZ6shSd0_DDBK6bBKbj_p6JwtezBHHWHO-uprinV7_uoIm9Tgjz7JjHNCjpbTaILN0OLGCLjt8iax72pVOj0wLKuN/s1600/FieldEssays_008a.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrDWS80dzivSdLGdxxGW1njF6GQmDJk5lVCh_UaO84jjjVhXNXzBkbZ6shSd0_DDBK6bBKbj_p6JwtezBHHWHO-uprinV7_uoIm9Tgjz7JjHNCjpbTaILN0OLGCLjt8iax72pVOj0wLKuN/s1600/FieldEssays_008a.jpg" /></a><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Field Essays Issue Zero, Pick of Sticks Embodied (Sophie Krier, LucyandBart, Marek Pokropski), </span><a href="http://www.onomatopee.net/project.php?progID=24ad5a630ae053ef0a1310835d6214fa" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Onomatopee</a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">, 2010.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwXzRtw8ekH7F8mBso0Hg4Z0FJrmIU-mG6h9ecAUkJah8swO7yekHdeCRRUMcQ9KBFP1kOmDeyo6x7bZxKIxFP2HrP-Bn2FuS9sVHyXsmbD2dkHd-mR6pJ7wCO1X2YQidYuytd8IFGOXki/s1600/FieldEssays_004.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwXzRtw8ekH7F8mBso0Hg4Z0FJrmIU-mG6h9ecAUkJah8swO7yekHdeCRRUMcQ9KBFP1kOmDeyo6x7bZxKIxFP2HrP-Bn2FuS9sVHyXsmbD2dkHd-mR6pJ7wCO1X2YQidYuytd8IFGOXki/s1600/FieldEssays_004.jpg" /></a><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Ongelofelijk, overview exhibit of my practice, <a href="http://www.tentrotterdam.nl/shows/archief/20090909_blurrr.php?lang=en">TENT Rotterdam / Blurrrr</a>, 2009.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMzEO4q0oRWD41LfBcUHKHKan-35zyx1SUwCQnZdvfDvJeoFhFb72aum7WYunPVlG9N4fvHD-V7SHqAop8Jy2jlKwS6eFRKgt0FL7pnK0hQlw767STSCqAcRhrUqY-nvaZZ4MmFk_91UqY/s1600/Ongelofelijk_0001_Layer+10.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMzEO4q0oRWD41LfBcUHKHKan-35zyx1SUwCQnZdvfDvJeoFhFb72aum7WYunPVlG9N4fvHD-V7SHqAop8Jy2jlKwS6eFRKgt0FL7pnK0hQlw767STSCqAcRhrUqY-nvaZZ4MmFk_91UqY/s1600/Ongelofelijk_0001_Layer+10.jpg" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtFvDujIdpA3w5VaYZoBE2iHAd-8UrliO1d_vyC8pDhuWzvB852aO93EDcrEIM08xz0uWUJQHuPuAvq6GnVrjyv-7eg6NBWiPU2GG9doHu0MEYhwj7gsAIysDd9trIBYCbw8i93SyT_ZRf/s1600/Ongelofelijk_0002_Layer+8.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtFvDujIdpA3w5VaYZoBE2iHAd-8UrliO1d_vyC8pDhuWzvB852aO93EDcrEIM08xz0uWUJQHuPuAvq6GnVrjyv-7eg6NBWiPU2GG9doHu0MEYhwj7gsAIysDd9trIBYCbw8i93SyT_ZRf/s1600/Ongelofelijk_0002_Layer+8.jpg" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoF8HmoDz3wJjBNwirgeNtfTPMhgraiy0yWgLVYSiHazZ-PZVgnKDzYzUn4d5xsJiyCpqU5HmzSZEock3dZr1URwTlfFbiWqG0op6ksYXYJT_DfkzKfizga-rcnjKiwNkXTw9y366Ol6Ns/s1600/Ongelofelijk_0004_Layer+7.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoF8HmoDz3wJjBNwirgeNtfTPMhgraiy0yWgLVYSiHazZ-PZVgnKDzYzUn4d5xsJiyCpqU5HmzSZEock3dZr1URwTlfFbiWqG0op6ksYXYJT_DfkzKfizga-rcnjKiwNkXTw9y366Ol6Ns/s1600/Ongelofelijk_0004_Layer+7.jpg" /></a><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;"><a href="http://www.hunnie.nu/">Hunnie</a> (them), with Henriëtte Waal, 2012-2013</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjetJN9bZhWe-5NidHnLi7dZgKofuRyAeqXThwb26emMTI7JJ2DHjPxQk7bWGihkGk7aO3qQFOE_PFyj7Y_rJ2QcIk-Yq6JQ4yTkIsvaZPWLr2bYfmyOhMtM1dg-Wu0x-pokjLggFJqTnxh/s1600/9611_Sjoerd+Knibbeler-LR.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjetJN9bZhWe-5NidHnLi7dZgKofuRyAeqXThwb26emMTI7JJ2DHjPxQk7bWGihkGk7aO3qQFOE_PFyj7Y_rJ2QcIk-Yq6JQ4yTkIsvaZPWLr2bYfmyOhMtM1dg-Wu0x-pokjLggFJqTnxh/s640/9611_Sjoerd+Knibbeler-LR.jpg" width="640" /></a><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Ici Casa, 2010</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCfGoxp0-zzP8qC4_hMgw8FWT0hGt2naaMgEQQFKTr5aS-hFea-3DYSwQIPTnQ-EEV7DK707aBd2_HAzMFAmJxyJBCWRV2gJZkGTcgQuqyknhAQlsgUNjyrrjrOc_j-khWud3BCh-5GJoC/s1600/ICICasa_001.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCfGoxp0-zzP8qC4_hMgw8FWT0hGt2naaMgEQQFKTr5aS-hFea-3DYSwQIPTnQ-EEV7DK707aBd2_HAzMFAmJxyJBCWRV2gJZkGTcgQuqyknhAQlsgUNjyrrjrOc_j-khWud3BCh-5GJoC/s640/ICICasa_001.jpg" width="640" /></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">nomad academy, 2008-now</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Champs Libre, 2003</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">5050 project 2003</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Fake, 1999 -2001</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Writings and moving images, 1999 -2013</span><br />
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Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-58833700332421911482013-09-19T11:36:00.001-07:002013-09-19T11:36:18.886-07:00Hunnie Overleven 21/22 september!<div dir="ltr" style="text-align: left;" trbidi="on">
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Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-40979433047554873232013-05-29T03:51:00.004-07:002013-05-29T03:56:08.630-07:00Research Lab Next Door, part 4<style>
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<span style="font-size: small;"><span lang="NL" style="color: #343434;">Report by Oscar de Bakker & Cindy Meeldijk, KABK students</span></span></div>
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<span style="font-size: small;"><span lang="NL" style="color: #343434;">Wednesday the 15th of May was D-day for the students of the
Research Lab Next Door. The measuring devices were developed and the scripts
written for the instruction movies. Everybody was ready.</span></span></div>
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</span><br />
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<span style="font-size: small;"><span lang="NL" style="color: #343434;">The day began with rain, but when the first persons entered DRS 22 the
sky opened up and the sun started to shine. It was like a big softbox of light
and ideal to film the movies. With the good light, good temperature, everything
packed, the comic duo Max (the dog) and Daan and our own filmcrew on our side,
the group took to the streets.</span></span></div>
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</span><br />
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<span style="font-size: small;"><span lang="NL" style="color: #343434;">Next to the playground on the Vermeerstraat, Cindy Meeldijk’s project
was filmed. Cindy focusses on the traces of use people leave behind on objects
in the public space. The last few weeks she developed an instrument to document
and interpret these traces. As a forensic researcher she collects ‘evidence’ of
the things that could have happened there. Which collective or individual
stories are there to discover in the objects that surround us?</span></span></div>
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</span><br />
<div class="Vrijevorm" style="margin-bottom: 20pt;">
<span style="font-size: small;"><span lang="NL" style="color: #343434;">On to the location of Marlies van Putten. Her instrument became her outfit.
As a Robin Hood she moves through the Schilderswijk looking for puddles. Once
she found one she takes piece by piece objects out of her outfit to measure the
depth, outline and content of the puddle. In this way she gives puddles, the
less fortuned on the street, a face and a right to exist.</span></span></div>
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<span style="font-size: small;"><span lang="NL" style="color: #343434;">On this day everything went as planned, that is - if you look at it
timewise, but not in terms of the scripts of the students. A lot of movies
still changed on the site. With input of Sophie Krier, Cathelijne Montens, Joel
Nieminen, Anouk Huffels and the fellow students, camera shots were made.</span></span></div>
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</span><br />
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<span style="font-size: small;"><span lang="NL" style="color: #343434;">We look back on a really good day. Next time more about the projects
of Amal, Julia and Marcela. And: at the beginning of June the film will be
edited and shown to the world!</span></span></div>
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<span style="font-size: small;"><span lang="NL" style="color: #343434;"> </span></span></div>
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</span>Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-57259145967545180572013-04-16T13:46:00.000-07:002013-04-16T02:08:47.976-07:00Hunnie Wilgen Vlechen, 13 april 2013<div class="separator" style="clear: both; text-align: center;">
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fotografie hunnie & sjoerd knibbeler</div>
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De Bovenlanden, 14 april 2013 -</div>
Afgelopen zaterdag hebben De Veenmollen, jeugdleden van het Instituut voor natuureducatie en duurzaamheid (IVN), deelgenomen aan een van de natuuravonturen van Hunnie in De Bovenlanden. Met ontwerpers Sophie Krier en Henriëtte Waal maakten zij samen met wilgenvlechters een aantal boten van vers geoogst griendhout. Zo combineerden de ontwerpers de Bovenlandse traditie van het vlechtambacht en het varen in de polder.<br />
De veldopstelling op de kop van de kavel van Zorgboerderij Amstelkade was een test voor de veldwerkplek, die Krier en Waal deze zomer in De Bovenlanden zullen opleveren. Inzet van de serie natuuravonturen is naast de veldwerkplek het ontwerpen van gebiedseigen producten en buitenuitrusting die in dienst staan van dit speciale gebied en haar huidige en toekomstige liefhebbers.<br />
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Terwijl De Veenmollen een kim en mat leerden vlechten, is er voor de ouders van De Veenmollen een ontmoeting georganiseerd met boeren Arie van Oosterom en Ben Roeleveld. Tussen kauwende koeien werd de schaalvergroting van het boerenbedrijf besproken, het economische model van melkproductie en de veranderingen in het landschap en in de veehouderij na de grootschalige ruilverkaveling van de jaren zeventig. Voor de enige Lakenvelder van Arie, een prachtige maar nog naamloze koe met rood laken en blauwe tong (een kenmerk van dit oud Hollandse koeienras) is door de ouders een passende naam bedacht. Koe Bea Marrigje heeft afgelopen zaterdag dan ook een officiële naamdoop gehad en wordt binnenkort in het landelijke register ingeschreven.<br />
Op 18 mei leren deelnemers tijdens het volgende avontuur Hunnie Fluit muziekinstrumenten van natuurlijke materialen maken onder leiding van wilgenman Jan van Schaik; de met koeienhuiden bedekte wilgenboten worden dan ook afgemaakt en te water gelaten. Al varen er tegenwoordig geen koeien meer over de waterwegen van De Bovenlanden, dankzij deze drie koeien kunnen liefhebbers de waterwegen straks wel gaan verkennen. De Hunnie Huidboot wordt op 18 mei officieel geschonken aan Zorgboerderij Amstelkade.<br />
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Agenda</div>
Hunnie Broedt: 15 maart t/m 15 juni 2013<br />
Hunnie Fluit: za. 18 mei 2013<br />
Hunnie 24 Uur Natuur: za. 21 en zon. 22 september 2013<br />
Hunnie Winterklaar: za. 2 november 2013 (Natuurwerkdag)<br />
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www.hunnie.nu | www.facebook.com/projectHunnie<br />
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Hunnie is een project van ontwerpers Henriëtte Waal & Sophie Krier en is ontwikkeld in opdracht van Centrum Beeldende Kunst Utrecht (CBKU). Hunnie wordt mogelijk gemaakt door Programmabureau Utrecht-West / Provincie Utrecht, Stichting DOEN, Fonds voor Cultuurparticipatie en Prins Bernhard Cultuurfonds. Na de opheffing van CBKU per 1-1-2013 is Hunnie ondergebracht bij Landschap Erfgoed Utrecht. Hunnie dankt dit wilgenavontuur mede aan Bertus Ruitenbeek (Zorgboerderij Amstelkade), Mandenmakerij de Kim, Knotgroep de Venen (wilg tekening) en het IVN.<br />
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Noot voor de redactie</div>
Voor meer informatie, verzoeken en beeldmateriaal kunt u contact opnemen met:<br />
Lucy van Kleef (PR/Communicatie Hunnie) contact@hunnie.nu of 0641015149<br />
<br />Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-61430596404894182572013-04-16T02:07:00.002-07:002013-05-29T03:55:44.219-07:00Research Lab Next Door, part 3<span style="font-size: x-small;">Research Lab Next Door, part 3.</span><br />
<span style="font-size: x-small;">Text Oscar de Bakker en Cindy Meeldijk</span><br />
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<span style="font-size: x-small;">Measuring is knowing</span><br />
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<span style="font-size: x-small;">The next step in the development of a own way of measuring and registration of the public space of the Schilderswijk: ‘‘ What is a measuring device? And, more important, how do you design it and what will it communicate?’’ The students of the research lab have tried to answer these questions in the past weeks by analyzing physical measuring devices and different professional and non-professional instruction manuals (physical or audiovisual).</span><br />
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<span style="font-size: x-small;">These days online instruction movies are our new manuals. Where in the past we asked our family, friends our helpful neighbors how stuff had to be done. We now check Youtube or Vimeo, when we whant to know how to fix a flat tire or do our makeup. This inspired us to present our measuring devices/methods in short instruction movies. This week there will be a test day, where we can see if our ideas work. And work towards an interesting, spectacular or funny end result.</span><br />
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<span style="font-size: x-small;">Cooking with the Dog | Markus Kayser - Solar Sinter Project | How to peel a banana</span><br />
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<span style="font-size: x-small;">Project description: Oscar de Bakker ‘Obstacle Landscape’</span><br />
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<span style="font-size: x-small;">Oscar de Bakker is researching the obstacles in the public space. By isolating the obstacles from their surroundings he creates an image wherein all ‘bollards, streetlights, traffic signs and other objects demand their own space in the street.</span><br />
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<span style="font-size: x-small;">Last week Ruud Ridderhof visited DRS22. On behalf of the city of The Hague he’s responsible for the organization of the public space. He first was shocked by Oscars images but that didn’t keep him from sharing his knowledge on how the decisions on placing these items takes place. A lot of these “obstacles” are placed to generate certain behavior, in turns out. But be honest, how effective is a traffic sign that says that parking is forbidden when it has to be accompanied by rows of ‘amsterdammertjes’? And could it be that these mostly non-sensible looking objects have other hidden or unintentional functions?</span><br />
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<span style="font-size: x-small;"><br /></span>Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-15501538426821688742013-03-07T13:03:00.000-08:002013-04-15T13:38:35.567-07:00Research Lab Next Door, part 2<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">In parallel with the exhibition ‘Orban Space’ in Stroom, participants
of Research Lab Next Door study the process and ideas of urbanist and
conceptual thinker Luc Deleu. Instruments to measure and register
phenomena in the public space of the Schilderswijk are currently in
development. Research Lab Next Door is an interdisciplinary research
lab, initiated in September 2012 by the faculty of Interior Architecture
/ Furniture Design of the KABK in partnership with DRS22. Researchers
and tutors: Krijn Christiaansen, Cathelijne Montens, Sophie Krier,
Claudia Linders, Renate Boere, Ed van Hinte.</span></span><br />
<span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><br />The
guided tour of the exhibition 'Orban Space' in Stroom made urbanist Luc
Deleu's passionate practice and body of thought tangible: "There are
only two scales one should relate to: that of the human and that of the
planet" – said programme director Francien van Westrenen. Top Office's
studies of the way we order the world also resonated with many students.
Departing from Deleu's self-fabricated measuring instruments, students
will start next week with measurements of their own in the streets of
the Schilderwijk. Their findings were presented to the public in the
front space of Stroom on March 13th (13.00-17.00). <br /><br />Follow us on <a href="http://www.drs22.nl/">www.drs22.nl</a></span></span><br />
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<span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><a href="http://www.drs22.com/wp-content/uploads/2013/03/Amal.jpg"><img alt="" class="alignnone size-full wp-image-220" src="http://www.drs22.com/wp-content/uploads/2013/03/Amal.jpg" height="214" title="Amal" width="320" /></a><br />
‘Inter View’<br />
Film still, searching for different modes of interviewing<br />
Amal Habti</span></span></div>
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<span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">
</span></span><span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><a href="http://www.drs22.com/wp-content/uploads/2013/03/Cindy.jpeg"><img alt="" class="alignnone size-full wp-image-221" src="http://www.drs22.com/wp-content/uploads/2013/03/Cindy.jpeg" height="240" title="Cindy" width="320" /></a><br />
‘Presence in absence’<br />
Developing a toolkit to measure traces of use in the street<br />
Cindy Meeldijk</span></span></div>
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<a href="http://www.drs22.com/wp-content/uploads/2013/03/Marlies.jpg"><img alt="" class="alignnone size-full wp-image-224" src="http://www.drs22.com/wp-content/uploads/2013/03/Marlies.jpg" height="103" title="Marlies" width="154" /></a></div>
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<span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">
</span></span><span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><br />
‘Preserved moments of nature’<br />
Capturing, measuring and registering puddles in the pavement </span></span></div>
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<span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">in order to frame this uncontrollable remnant of natures<br />
Marlies van Putten</span></span></div>
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</span></span><span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><a href="http://www.drs22.com/wp-content/uploads/2013/03/Oscar.jpeg"><img alt="" class="alignnone size-full wp-image-225" src="http://www.drs22.com/wp-content/uploads/2013/03/Oscar.jpeg" height="320" title="Oscar" width="214" /></a><br />
‘Obstacle Landscape ‘<br />
Marking and emphasising the space around and between obstacles on the street<br />
Oscar de Bakker</span></span></div>
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<span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">
</span></span><span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><a href="http://www.drs22.com/wp-content/uploads/2013/03/Marcela.jpeg"><img alt="" class="alignnone size-full wp-image-223" src="http://www.drs22.com/wp-content/uploads/2013/03/Marcela.jpeg" height="214" title="Marcela" width="320" /></a><br />
‘Brick work’<br />
Mapping and measuring the range of colours </span></span></div>
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<span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">in the most representative construction element of Schilderswijk: the bricks<br />
Marcela Rosenburg</span></span></div>
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</span></span><span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><a href="http://www.drs22.com/wp-content/uploads/2013/03/Julia.jpg"><img alt="" class="alignnone size-full wp-image-222" src="http://www.drs22.com/wp-content/uploads/2013/03/Julia.jpg" height="214" title="Julia" width="320" /></a><br />
Measuring walking speed with the street’s own units<br />
Julia Garcia</span></span></div>
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Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-69103648042126964642013-03-02T13:55:00.000-08:002013-04-15T13:56:03.228-07:00Immediate Spaces at Wongema<div class="title" style="text-align: center;">
<a href="http://www.immediatespaces.nl/2012-13/GraduationStudio">Graduation Studio for Immediate Spaces</a> at <a href="http://www.wongema.nl/">Wongema</a></div>
<div class="title" style="text-align: center;">
<br /></div>
<div class="title" style="text-align: center;">
beelden Anne Holtrop & Sophie Krier</div>
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Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-12758034382020722942013-02-04T12:46:00.000-08:002013-04-15T12:59:19.798-07:00Hunnie Jagen, Feb 2 2013<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">fotografie: Hunnie & Sjoerd Knibbeler</span></span></div>
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<br />Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0Bovendijk, 3648 Wilnis, The Netherlands52.1801511 4.877578599999992552.141205600000006 4.7968975999999923 52.2190966 4.9582595999999928tag:blogger.com,1999:blog-1553274681078701016.post-63631874659122246972013-01-25T13:24:00.001-08:002022-03-14T02:55:24.261-07:00Research Lab Next Door, part 1<div class="separator" style="clear: both; text-align: center;">
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<a href="https://vimeo.com/60236901">Click here to view Next Door The Movie</a></div>
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credits</div>
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Next Door<br />
12.12.2012<br />
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DRS22 Research Lab <br /><br />
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'Leave leafs, Leafs Leave'<br />
Berta Pous & Satoki Kuwnao / Claudia Linders<br />
Schilderswijk pavement<br />
Berta & Satoki as Leafs Ladies<br />
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'Another Zoo'<br />
Cindy Meeldijk<br />
Schilderswijk playground (Vermeerpark)<br />
Steven van Beijeren as David Attenborough<br />
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'How to communicate without language'<br />
Katarína Gališinová & Katarína Máliková<br />
Schilderswijk playground (Frans Halstraat)<br />
Kids as kids of primary school Het Startpunt FB<br />
Katarína & Katarína as The Box Kats<br />
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'Stolen Yellow Bike Procession'<br />
Ewelina Borowiecka & Ni Nan<br />
Abraham van Beyerenstraat 4<br />
Ewelina, Ni, Research Lab students, <br />
Frederic Vosges & dog Takkie as processionists <br />
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'(Bad) Weather Project'<br />
Marlies van Putten<br />
Schilderswijk puddle (Van der Vennestraat)<br />
Marlies as drive-by fashion victim<br />
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'Schilderwijk Bonus'<br />
Catherine Reiser<br />
Schilderswijk (Vaillantlaan / Cafe Deniz)<br />
Catherine, Cindy, Sophia & Lola as dancing signs<br />
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'1980 Home'<br />
Danitsja Vergeer<br />
Schilderswijk (Vaillantlaan 4)<br />
Danitsja as researcher, Ed as former inhabitant <br />
& Research Lab students as house guests<br />
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'Street Value'<br />
John Fanning<br />
Schilderswijk street furniture<br />
John as city official<br />
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'Maison improvisée'<br />
Dirk Gonzalez & Steven van Beijeren<br />
Schilderswijk (electricity house)<br />
Dirk & Sophia as inhabitants<br />
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'Informal library'<br />
Gabriela Barbosa Amorim<br />
Schilderswijk phone cabin (Hoefkade 115) <br />
& park bench (Albert Cuypstraat)<br />
Cindy & Touko, Katarína as book readers<br />
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'Hangplekjes'<br />
Gabriel Holysz<br />
Schilderswijk (Bosboomstraat / Suze Robertsonstraat)<br />
Cindy, Marlies, Danitsja, Anouk, Krijn, <br />
Sophia, Gabriel as loiterers<br />
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DRS22 Researchers and supervisors: <br />
Krijn Christiaansen, Cathelijne Montens, <br />
Sophie Krier, Claudia Linders, <br />
Renate Boere, Ed van Hinte<br />
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External critics:<br />
Ruud Ridderhof, Ernie Mellegers<br />
<br />
Director:<br />
Joel Nieminen<br />
<br />
Screenplay:<br />
Anouk Huffels<br />
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Camera & editing: <br />
Joel Nieminen, Anouk Huffels<br />
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Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-49475424458494244202012-12-20T09:01:00.000-08:002013-04-15T12:21:58.994-07:00In briefWhat better time than winter recess to do some maintenance, scrape the paint from a door, build that closet you needed since so long or give your long neglected blog some well deserved attention...<br />
<br />
A short update:<br />
<br />
<a href="http://www.utrechtmanifest.nl/">Utrecht Manifest</a> No. 4, Biennal for Social Design was rounded off before the summer. My project Werklandschap Kruist ICI is archived <a href="http://www.werklandschap-kruist.nl/">here</a>. <br />
<br />
I led a three month art education research with 23 teenagers last fall, entitled t.z.t (tijdelijk zonder titel, temporarily untitled) – you can get a feel of our (mis)adventures on <a href="http://www.tzt-tent.nl/">the project blog</a>.<br />
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I've also started teaching at the <a href="http://www.immediatespaces.nl/2012-13">Studio for Immediate Spaces / Sandberg Institute</a> (click on Graduation Studio to see some first images)– the first talk with my graduation class took on the form of an exhibition at <a href="http://www.kunstvlaai.nl/">the 2012 Kunstvlaai</a>. In February we'll go to <a href="http://wongema.nl/">Wongema</a> for a remote graduation meditation...<br />
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The project <a href="http://www.hunnie.nu/">Hunnie</a>, in which I collaborate with Henriëtte Waal, kicked off last November – Hunnie (local jargon for 'them') designs hybrid experiences of nature
and culture, recreation and maintenance. Our seasonal adventures bring
together local guides, existing and new caretakers as well as experts in
various fields (hunting, fake meat, geology, flora, art, sociology,
living willow architecture....). After one year, the knowledge gathered
through the adventures will be edited into a short docu-fiction, in an
effort to relay and perpetuate the cultural myths that Hunnie members
have and will produce. Each adventure also generates products which will
furnish the shelter we will realize for this area. Follow Hunnie on <a _cke_saved_href="http://www.facebook.com/projectHunnie" href="http://www.facebook.com/projectHunnie">facebook</a>: upcoming adventures include Hunnie Hunting and Hunnie Willow Works.<br />
<br />
I will start a personal research on " the street as a set" in the context of the Schilderwijk (The Hague) next winter at Design Research Station <a href="http://www.drs22.com/">DRS22</a>, together with Krijn Christiaansen, Cathelijne Montens and Claudia Linders as well as students from the KABK. Soon to be seen here: the footage of a first day of experiments in public space which took place two weeks ago. <br />
<br />
And last but not least Field Essays, Issue One will be released next January – this publication juxtaposes the work of designer <a href="http://www.jonathanmuecke.com/">Jonathan Muecke</a>
(USA) and photographer Bas Princen (NL). With his photographs, Princen
frames built and un-built landscapes, revealing their mind-blowing
oddities. On the other hand, the core motive of Muecke’s design practice
is “to retain potential in an object”. Muecke’s bold artifacts function
as probes that venture into the realms of our perception – attempting
to detect its mechanisms. Both create visual propositions that “make
room” – thereby making room for another reading of the world. Check my publisher <a href="http://onomatopee.net/">Onomatopee</a> for updates.<br />
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<br />Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-73099978266277118242012-11-05T12:26:00.000-08:002013-04-15T12:58:13.113-07:00Hunnie Klei Putten, nov 3 2012<div class="separator" style="clear: both; text-align: center;">
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fotografie: Hunnie & Roel van Tour </div>
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Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0Bovendijk, 3648 Wilnis, The Netherlands52.1801511 4.877578599999992552.141205600000006 4.7968975999999923 52.2190966 4.9582595999999928tag:blogger.com,1999:blog-1553274681078701016.post-74931913028313346012012-04-15T23:57:00.001-07:002012-04-15T23:58:46.143-07:00H12_A lecture<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="description" style="font-family: "Trebuchet MS",sans-serif;">
<span style="font-size: x-small;">For H, a series of trimestral artist publications, I recorded an audio
lecture and an accompanying booklet with images from my travels. Small
drawings illustrate the questions I raise in the lecture. I had the
pleasure to invite Jurgen Bey to write an introduction. PS If you are in
Milan this week, perhaps someone from HEADS Collective will hand you a
personal copy.... Please find below the cover the official press release.</span><br />
<br />
<br />
<span style="font-size: x-small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXZVyMOcO6OMx79W4Ok2aRNH0Ceon9Z0jK7R_RJL8SDrR4hvSKTUOImKOOMNLc1YQhkKqyT3mH4Q9yGJyXmr2aS98X1wgvFr5zxIfD5rv-y7NAronWuuSLfPfkRlEk_5IvlTCEy8OHERnX/s1600/h12_cover.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXZVyMOcO6OMx79W4Ok2aRNH0Ceon9Z0jK7R_RJL8SDrR4hvSKTUOImKOOMNLc1YQhkKqyT3mH4Q9yGJyXmr2aS98X1wgvFr5zxIfD5rv-y7NAronWuuSLfPfkRlEk_5IvlTCEy8OHERnX/s400/h12_cover.jpg" width="400" /></a><b>HEADS presents
<br />H12 Sophie Krier A lecture </b></span><br />
<span style="font-size: x-small;"><b>Download and listen at H12 </b></span><br />
<span style="font-size: x-small;"><a href="http://www.headscollective.com/h/h12">www.headscollective.com/h/h12</a></span><br />
<br />
<span style="font-size: x-small;"><b>Sophie Krier is the artist/designer featured in our new issue of H,
our trimestral artist booklet, Sophie Krier is one of the most
unconventional designer of her generation, that is why we are proud of
showcasing her work and also proud to feature for the first time a
lecture in our H series, with her projects, lectures, conferences and
workshops Sophie challenges the design world. A lecture is Sophie Krier
effort on pushing the borders of creativity, and questioning the young
designers and non-designers vision of the world,
long time director of the DesignLab at Rietveld Academy Amsterdam,
Sophie forged a new generation of designers, pushing their vision of the
design practice.
<br /> </b></span><br />
<span style="font-size: x-small;"><b>As Jurgen Bey said of her in his introductory text of the H12</b></span><br />
<br />
<span style="font-size: x-small;"><b>"Let her travel, joggle ideas and awake us to perceive the beauty of reality. "
<br /> – Jurgen Bey, designer</b></span><br />
<br /></div>
</div>Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-52405309460064759432012-03-12T16:29:00.002-07:002012-03-12T16:31:10.276-07:00Utrecht Manifest<div dir="ltr" style="text-align: left;" trbidi="on"><h3 class="post-title entry-title" style="color: black; font-family: "Trebuchet MS",sans-serif; font-weight: normal;"><span style="font-size: x-small;"> This blog has migrated to <a href="http://www.werklandschap-kruist.nl/">www.werklandschap-kruist.nl</a> till June 2012!</span></h3><h3 class="post-title entry-title" style="color: black; font-family: "Trebuchet MS",sans-serif; font-weight: normal;"><span style="font-size: x-small;">I am currently curating one of the four research based residencies of Utrecht Manifest, Biennale of Social Design. </span></h3><h3 class="post-title entry-title" style="color: black; font-family: "Trebuchet MS",sans-serif; font-weight: normal;"><span style="font-size: x-small;">(Dutch) preview:</span></h3><div style="color: black;"><span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;"></span></span> </div><div style="color: black; font-family: "Trebuchet MS",sans-serif;"></div><div class="MsoNormal" style="color: black; font-family: "Trebuchet MS",sans-serif; line-height: 115%;"><span style="font-size: x-small;"><b>werklandschap KRUIST ICI</b> bouwt aan een alfabetische inventaris van het aanwezige potentieel aan vaardigheden en expertise in Rotsoord en omgeving; de b van brandweer, de e van ecoloog, de j van jurist vormen straks samen een blauwdruk voor potentiële kruisbestuivingen en productiemogelijkheden in het gebied. Wat gebeurt er als de paraatheid van de brandweerman wordt gekoppeld aan de onzichtbare handschrift van de autoschade expert? Zijn conciërge en criminoloog alleen alfabetisch aan elkaar verwant? </span></div><div class="MsoNormal" style="color: black; font-family: "Trebuchet MS",sans-serif; line-height: 115%;"><span style="font-size: x-small;"><br />
</span> </div><div class="MsoNormal" style="color: black; font-family: "Trebuchet MS",sans-serif; line-height: 115%; margin-bottom: 11pt;"><span style="font-size: x-small;">Met het netwerk aan makers en enthousiasme als een denkbeeldige, gedistribueerde werkplaats ontwikkelen genodigde ontwerpers voorbeeldprojecten die het potentieel van dit bijzondere netwerk verbeelden en testen; parallel hieraan worden onderzoeken uitgezet naar de ruimtelijke en economische condities van de diverse soorten bedrijvigheid in het gebied. Workshops met het lagere en hogere kunst- en cultuuronderwijs verbinden dit proefondervindelijke onderzoek naar <i>het wezen van werk</i> met de nieuwe lerende generatie.</span></div><div class="MsoNormal" style="color: black; font-family: "Trebuchet MS",sans-serif; line-height: 115%;"><span style="font-size: x-small;">Met bijdrages van o.a. <a href="http://www.cathelijnemontens.com/" target="_blank">Cathelijne Montens</a> (tentoonstellingsontwerp), <a href="http://www.putgootink.nl/" target="_blank">René Put & Brigitte Gootink</a> (grafisch ontwerp), <a href="http://www.hathawaydesigns.com/" target="_blank">Cynthia Hathaway</a> (Car Mecca, voorbeeldproject), <a href="http://www.throwingsnowballs.nl/" target="_blank">Joanna vander Zanden</a> & <a href="http://www.the-incredible-shrinking-man.net/" target="_blank">Arne Hendriks</a> (’t Rommelt in Rotsoord, voorbeeldproject), <a href="http://www.jonathanmuecke.com/" target="_blank">Jonathan Muecke </a>& <a href="http://www.oasejournal.nl/en/Issues/84" target="_blank">Bas Princen</a> (Work of Work / Field Essays), <a href="http://cityrhythms.blogspot.com/" target="_blank">Jan van Duppen</a> (onderzoek naar ruimtelijke condities van locale bedrijvigheid), Dima Stefanova & Andreas Zangger (<a href="http://www.knowhowshowhow.net/" target="_blank">Know-How|Show-How</a>, workshop), Jesse Howard (Open objects, graduation project), Conor Trawinsky (<a href="http://vimeo.com/user4758537" target="_blank">Craft Communities</a>, internship research), studenten van <a href="http://www.gerritrietveldacademie.nl/nl/designlab" target="_blank">rietveld designLAB</a>, studenten van <a href="http://www.designacademy.nl/Study/Bachelor/Departments/ManAndLiving.aspx" target="_blank">Design Academy Eindhoven / Man And Living</a> (Thuiswerk studie o.l.v. Mara Skujeniece).</span></div><div class="MsoNormal" style="color: black; font-family: "Trebuchet MS",sans-serif; line-height: 115%;"></div><div class="separator" style="clear: both; color: black; text-align: center;"><span style="font-size: x-small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgavGLuQ16NH4KZZtFaY2S_rh5JUxHmZDi0YdSGC9GH487mcgY0rWa9UTZJKGOwSf3OB6ypUwDm-A2yADQQ-6U5IPLQRbfMB9tq1MxqOCcZf0XcS72A1dZoFo9P496wqBKcbmJeUBSq6Rk5/s1600/Kruist-120130-BeeldendeAuditie.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgavGLuQ16NH4KZZtFaY2S_rh5JUxHmZDi0YdSGC9GH487mcgY0rWa9UTZJKGOwSf3OB6ypUwDm-A2yADQQ-6U5IPLQRbfMB9tq1MxqOCcZf0XcS72A1dZoFo9P496wqBKcbmJeUBSq6Rk5/s400/Kruist-120130-BeeldendeAuditie.jpg" width="400" /></a></span></div><div class="MsoNormal" style="color: black; font-family: "Trebuchet MS",sans-serif; line-height: 115%;"></div></div>Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com1tag:blogger.com,1999:blog-1553274681078701016.post-27091603726105939952012-01-19T15:58:00.000-08:002012-01-19T15:58:27.662-08:00Number One<div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-small;">Bus Number 1 ends at Vellir 7.</span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-small;">It leaves its engine running for about twenty minutes.</span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-small;">The drive has a key to a little kitchen in a grey container.</span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-small;">He lights his pipe, Brynhildur and I change shoes</span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-small;">– by now, I'm wearing borrowed gloves, shoes and a rain coat–</span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-small;">– I like to wear other people's things – </span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-small;">The bus drives off to its other end point, Hlemmur.</span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-small;">Exactly 3 minutes later another Number One </span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-small;">stops at the exact same place.</span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-small;"><br />
</span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-small;"> </span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-small;"> </span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK4qOmmReyTA6XnEZuIkBdqbI1IjsQczjy31fTaLkPC91HNn2fWrUZ-NLHsWQagBtI2rv3MvcN5hUPo9yKBlc5S4r6qNbjjVBwCdCyfNoAx5L8wif1VpVw8PCZQmWJQdrzNIExmKzP8jMN/s1600/Vellir7Number1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK4qOmmReyTA6XnEZuIkBdqbI1IjsQczjy31fTaLkPC91HNn2fWrUZ-NLHsWQagBtI2rv3MvcN5hUPo9yKBlc5S4r6qNbjjVBwCdCyfNoAx5L8wif1VpVw8PCZQmWJQdrzNIExmKzP8jMN/s320/Vellir7Number1.jpg" width="320" /></a></div><div style="text-align: left;"><br />
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</div>Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-51145423396285120382012-01-17T10:41:00.000-08:002012-01-17T10:41:07.668-08:00Field Essays - Unveiling Hafnarjordur<div class="separator" style="clear: both; font-family: Verdana,sans-serif; text-align: left;"><span style="font-size: x-small;">Today we headed to THE NEIGHBORHOOD with special guest Pétur Thomsen; for his photographic project <a href="http://www.peturthomsen.is/asfjall/">Àsfjall</a>, commissioned by The National Museum, he followed the built and untouched surroundings of this "small hill with a huge name" since 2008. Thomsen has been capturing traces of what he calls 'umhfverfing' (environmentalization) for some time now - the way cities expand into the surrounding nature, and the conflicts that these encounters produce, are made tangible in his work. Sometimes the presence of the man-made is hard to discern. For instance, in the third picture I took, the diagonal hilltop is actually the limit of a construction dump on the other side. </span></div><span style="font-size: x-small;"></span><div class="separator" style="clear: both; font-family: Verdana,sans-serif; text-align: left;"><br />
</div><div class="separator" style="clear: both; font-family: Verdana,sans-serif; text-align: left;"><span style="font-size: x-small;">The students were asked to bring their particular interest to this area - as a physical object, in their pocket. This way they documented Hafnarjordur through the lens of bees, rust, time or social contact. Interesting questions have already started to arise regarding alternative histories for this area. To be continued...</span></div><div class="separator" style="clear: both; text-align: left;"><br />
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</div>Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-20250912229816487952012-01-15T12:37:00.000-08:002012-01-15T12:37:10.764-08:00Your country doesn't exist<h1 style="font-weight: normal;"><span style="font-size: x-small;"><a href="http://libia-olafur.com/">Libia Castro and Ólafur Ólafsson</a> opened their show Under Deconstruction last friday at the National Gallery. The show included <span style="font-family: Helvetica; line-height: normal;"><span style="-moz-font-feature-settings: normal; -moz-font-language-override: normal; font-family: Helvetica; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"><strong>Il Tuo Paese Non Esiste</strong></span></span><span style="font-family: Helvetica; line-height: normal;"><strong>, 2011 (Your Country Doesn´t Exist) (ongoing from 2003)</strong></span>. The fact that they have been working on this project for many years, producing different iterations in relation to varying contexts and countries, gives the initial title a lot of body. I would nearly want to see this title materialized in every single language of every single nation state of the world... From the moment I saw this image, it did its work - made its way to my conscience <i>and</i> my subconscious. And hasn't left it since. This sentence is important. It anticipates a shift in thinking and in the way we categorize the world. All we need to do it is appropriate it. Luckily, we can start by wearing it because Libia and Ólafur designed a very seductive t-shirt bearing the words.. in Icelandic!</span></h1><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ04pJw2tC9PYNMj7OqtftbQhe3XVk2iBYUstz4EyTdcocTOT5ptVjpurlBl_md3qZbHs1_k1m66CikeU0K9eXOtu0OYx50Pn4h4lq0EOM11O6F5ocZFnIvHsXQzjpSK2k7gwELIfusxAe/s1600/001_Il_Tuo_Paese_Non_Esiste1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ04pJw2tC9PYNMj7OqtftbQhe3XVk2iBYUstz4EyTdcocTOT5ptVjpurlBl_md3qZbHs1_k1m66CikeU0K9eXOtu0OYx50Pn4h4lq0EOM11O6F5ocZFnIvHsXQzjpSK2k7gwELIfusxAe/s400/001_Il_Tuo_Paese_Non_Esiste1.jpg" width="400" /></a></div><div style="text-align: left;"><br />
</div><h1 style="font-weight: normal;"><span style="font-size: x-small;"> </span></h1><br />
Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-72674896377091902052012-01-15T07:28:00.000-08:002012-01-15T12:24:32.861-08:00Surrendering to Iceland<div class="separator" style="clear: both; text-align: left;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/3caiEhHvSzc?feature=player_embedded' frameborder='0'></iframe></div><br />
<span style="font-size: x-small;">The video Surrender is by Ólöf Arnalds</span>.<span style="font-size: x-small;"> The way she visualizes birth in this video is breath taking.</span><br />
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<span style="font-size: x-small;">Also mesmerizing is Björk's new album-app Biophilia, in which she took on the challenge of teaching music theory through the wonders of nature. See this <a href="http://airwaves.grapevine.is/airwaves2011/ecology-echology-ecolology/">article</a> in Grapevine on this musicological ecosystem...</span><br />
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<span style="font-size: x-small;"><b>Nature + Music + Technology = <i>Biophilia</i></b></span><br />
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<span style="font-size: x-small;"><b><i><a href="http://www.bjork.com/#/news/biophiliaappsaleday">Click here for the biophilia app on Bjork's site</a> </i></b></span><br />
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<div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidykoTK73rR3GrcwZU1-b3qxTJg1Y9v7pGG8KQqM-1BqwyYtAoTRyyUVAADd3lj7d9sYdtY26uV_ngELqAU2jzq7X3ugB8FFRrrDa0G6VQc88dIT49TKrCYnlK55uKglPv6d6WUHOdgWm5/s1600/bjork-biophilia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidykoTK73rR3GrcwZU1-b3qxTJg1Y9v7pGG8KQqM-1BqwyYtAoTRyyUVAADd3lj7d9sYdtY26uV_ngELqAU2jzq7X3ugB8FFRrrDa0G6VQc88dIT49TKrCYnlK55uKglPv6d6WUHOdgWm5/s320/bjork-biophilia.jpg" width="320" /></a></div><span style="font-size: x-small;"><b><i><br />
</i></b></span><br />
<span style="font-size: x-small;"> Today I waited for the sun to rise from a hot outdoor tub at the </span><b><span style="font-size: x-small; font-weight: normal;">Vesturbaejar swimmingpool. </span></b><br />
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<b><span style="font-size: x-small; font-weight: normal;">The waiting for the day to break is long enough to make you crave for it </span></b><br />
<b><span style="font-size: x-small; font-weight: normal;">– when it finally happens, it's as though everything and everybody, buildings, colors and humans alike, are relieved. </span></b><br />
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<b><span style="font-size: x-small; font-weight: normal;">Also today, the smoky bay cleared and mountain Esja appeared behind the shipyards.</span></b><br />
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<b><b><i></i></b></b><b><span style="font-size: x-small; font-weight: normal;">Yesterday I experienced the tolt, a specific rythm characteristic of Icelandic ponies.</span></b><br />
<b><span style="font-size: x-small; font-weight: normal;">My pony was Jasper, a 22 year old lord of the hills. </span></b><br />
<b><span style="font-size: x-small; font-weight: normal;">"Dont' be fooled by his age", the girl told me before I mounted him.<br />
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<b><span style="font-size: x-small; font-weight: normal;">The tolt is smooth enough to take in the landscape while moving very swiflty across it.</span></b><br />
<b><span style="font-size: x-small; font-weight: normal;"> It's contained but forward driven. </span></b><br />
<b><span style="font-size: x-small; font-weight: normal;">It's addictive like many other things here.<br />
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<b><span style="font-size: x-small; font-weight: normal;">The specifics of the tolt for the amateurs of details:<br />
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<b></b><span class="Bookman-Old-Style-13pxn" style="font-size: x-small;">"For Icelandic ponies, it's a fifth gait-a single-foot or running walk. All Icelandic ponies walk, trot and canter. Most will also pace-move both legs on the same side at the same time. They pace as a way of resting after a fast gallop. Some will even tolt. The tolt is a four-beat gait, with the footfall sequence the same as the walk, for example right rear, right fore, left rear, left fore." </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZwTEuPzRjrMj7Nlzwg4zdt4katsjLhrQxM1-5VmW8FtR2KWFIRzYuHk_Oy2KSkbMrUtzjuEM5X2ELnfcW6M7TgXkJCD2RsMErJ43y83Z_MYgKmKPF6fbzi7pSfWeEp77VET6rP0i7I8qn/s1600/Jasper.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZwTEuPzRjrMj7Nlzwg4zdt4katsjLhrQxM1-5VmW8FtR2KWFIRzYuHk_Oy2KSkbMrUtzjuEM5X2ELnfcW6M7TgXkJCD2RsMErJ43y83Z_MYgKmKPF6fbzi7pSfWeEp77VET6rP0i7I8qn/s320/Jasper.jpg" width="320" /></a><br />
<span style="font-size: x-small;"> </span><br />
<span style="font-size: x-small;"> </span>Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-27912206576984534582012-01-13T10:37:00.000-08:002012-01-13T10:38:06.647-08:00Field Essays - Iceland 1<span style="font-family: inherit; font-size: x-small;">Field Essays meets Reykjavik</span><span style="font-size: x-small;"> </span><span style="font-size: x-small;">(smoky bay)!</span><br />
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<span style="font-size: x-small;">Day one proved one of changes of plans, </span><br />
<span style="font-size: x-small;">and brought about some wonderful first encounters here in Iceland, </span><br />
<span style="font-size: x-small;">Thanks to my hosts <a href="http://www.vikprjonsdottir.com/">Brynhildur </a><a href="http://www.vikprjonsdottir.com/">Pálsdóttir</a></span><span style="font-size: x-small;"> and <a href="http://www.tinnagunnarsdottir.is/gardengnome.htm">Tinna Gunnarsdóttir</a>.</span><br />
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<span style="font-size: x-small;">The workshop at the Iceland Academy of Arts will start monday - the plan today was to go visit photographer <a href="http://www.peturthomsen.is/">Pétur Thomsen</a> in <a href="http://www.solheimar.is/index.php?msl=english">Sólheimar</a>, a sustainable village community of about 100 inhabitants, one –icy– hilly road away from the capital.</span><br />
<span style="font-size: x-small;">The icy road and the non-functioning window wipers brought us to another place - Tinna's parents' home, a beautifully furnished apartment with a view on the bay (smokey indeed, today). After a delicious lunch and switching cars (for an even bigger four wheel drive) we headed for Hafnarborg, the home town of Brynhildur, and the unbuilt neighborhood of Hafnarfjörður, which will be the site of inquiry of this Field Essays. </span><br />
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<span style="font-size: x-small;">Hafnarborg is a place with a distinction - you are from there, or you aren't. Bryndhildur grew up there, but now lives in Reykjavik - her childhood friends still wonder about this. By contrast, </span><a href="http://hafnarfjordur.is/"><span style="font-size: x-small;">Hafnarfjörður</span></a><span style="font-size: x-small;"> is an area that is still looking for its sense of place. Pétur Thomsen says about it: " What makes this area an interesting subject for a photographer is that it graphically portrays the situation in Icelandic society today, and the immense developments that took place all over the Reykjavík area during the past few years. A new neighbourhood is taking root in nature, right next to a nature reserve. But the downturn in the economy has slowed the development down. A lot of the property around there is now for sale, and many building foundations have been left untouched for some time. Events in the Icelandic society influenced how the project turned out. Within six months from its beginning the Icelandic economy collapsed." </span><span style="font-size: x-small;">Hafnarfjörður is a very disputed place, not in the least because a large aluminum factory was implanted on the nearby coast. (Watch <a href="http://dreamland.is/">Dreamland</a> to get an insight into the issues at stake...)</span><br />
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<span style="font-size: x-small;">Walking around the area on unfinished roads between unlit lamp poles, it is as if time paused, to render the impact of human activities in nature startlingly visible. Here, a dilemma is made tangible - if "everything mankind creates is nature" (since mankind is in itself nothing else than nature) [quote from Aun, The beginning and End of Everything, by Edgar Honetschläger], then what is going on here? </span><br />
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<span style="font-size: x-small;">To be continued...</span><br />
<span style="font-size: x-small;"><br />
</span><br />
<span style="font-size: x-small;">Ps Note that the last image is a former potato storage. Compare it with the middle class and social housing developed in </span><span style="font-size: x-small;">Hafnarfjörður!</span><br />
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</span></div>Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-53003136632928161442011-07-31T06:27:00.000-07:002011-07-31T06:29:44.318-07:00Cross sections of happinessA little cross section of twelve days<br />
of travelling happiness and melancholy<br />
on our way to a Hungarian jazz festival,<br />
a Swiss wedding and French friendships...<br />
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Villa Le Lac, Le Corbusier<br />
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Cascade de la Druise,<br />
Plan-De-Baix<br />
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L'homme qui avait<br />
le coeur dans la main -<br />
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Hussein Chalayan,<br />
Musée des Arts Décoratifs<br />
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Libuše Niklová,<br />
Musée des Arts DécoratifsAtelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-86956712639479322482011-06-20T15:08:00.000-07:002011-06-20T15:08:15.164-07:00No More Art 3: Support SKOR for Art in Public SpaceTo all cultural practitioners who understand that ... culture needs culture to strive, bloom and evolve (i can't say it more simply) –<br />
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Follow SKOR's protest actions <a href="http://www.skor.nl/set-actueel-nl.html">here</a><br />
Or sign the petition <a href="http://petities.nl/petitie/waar-is-de-kunst-in-de-openbare-ruimte-gebleven">here</a>, in favor of a sustained and reflective discourse of our socio-cultural realm<br />
<br />
& Just make some noise, and show the Dutch government that this kind of policy making will not make them cool (read: tough) abroad, as they like to believe. Dutch politics are discrediting themselves at a pace they cannot keep up with. The situation would be a great script for a satire or slapstick, but unfortunately there's nothing to laugh about.Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-22329261523568042622011-06-20T14:54:00.000-07:002011-06-20T14:57:39.745-07:00No More Art 2: let everything go up in smokeN.B. DOORGEZONDEN BERICHT: ARTBOMB<br />
JOIN THE GROWING INTERNATIONAL COMMUNITY IN AN ACTION TO SAVE THE ARTS<br />
<br />
Please forward !<br />
<br />
Dear art friend, <br />
EXPRESS THE VALUE OF ART! SHOW YOUR SUPPORT FOR CULTURE!<br />
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On Friday the 24th June at noon local time, we need you to join this initiative in shrouding art locations across the world in coloured smoke. This visual act will be a sign of resistance against the growing disdain for the arts within societies and governments worldwide, and a sign of support for colleagues who face major cutbacks. Now is the time to act to show your appreciation and the necessity of the arts!<br />
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ARTBOMB is a peaceful art intervention initiated in The Netherlands. The Dutch Government is about to cut 40% of all cultural funding. This will result in the disappearance of a multitude of organizations that excel internationally in their field. This loss will be felt not only by the Dutch public but by the international community.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEQZ3riUD7ipJ3Vf51CFpNMDrylmwYaJUfjXYRYf1B54luDlU0NeXt3P1qFJcNKhntGikEVs0uTH1h4xqXUxU6unehjEuQnNK-hWTimyUNObHQlzHoscJIsvYpvJYmpvPp5gwZ9dRr7nEl/s1600/artbomb-pics-small.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEQZ3riUD7ipJ3Vf51CFpNMDrylmwYaJUfjXYRYf1B54luDlU0NeXt3P1qFJcNKhntGikEVs0uTH1h4xqXUxU6unehjEuQnNK-hWTimyUNObHQlzHoscJIsvYpvJYmpvPp5gwZ9dRr7nEl/s320/artbomb-pics-small.jpg" width="240" /></a></div><br />
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One signal, one moment, one act to show support. You can contribute visual ammunition against the disproportionate cuts to the arts budget. This visible intervention will rise up around the world where people value the arts and want to express their support for artists and cultural organizations.<br />
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Everybody who joins the ARTBOMB intervention will become part of this chain reaction and is invited to upload the photos and films of their own intervention to the website www.artbomb.nl as a token of solidarity and a symbol of strength.<br />
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WHAT IGNITE COLOURED SMOKE AND DOCUMENT THE EVENT<br />
WHEN 12 NOON LOCAL TIME, FRIDAY 24th JUNE<br />
WHERE ART LOCATION OF YOUR CHOICE<br />
AFTER UPLOAD YOUR IMAGES/FOOTAGE TO www.artbomb.nl<br />
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Information about ARTBOMB and how to join: www.artbomb.nl<br />
Email: artbombnow@gmail.com<br />
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SEND THIS EMAIL TO ALL YOUR COLLEGUES AND FRIENDS IN THE CULTURE SECTOR!!Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-6853339762283844862011-06-20T14:52:00.000-07:002011-06-20T14:52:32.141-07:00No More Art 1: Why intrinsic values don't seem to matter anymore<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihLWun0eB1ohxgx4MiO5JR1tL3SwDlqXgHIawkvsL0VmYimqexVzt90NGnLILHe755CxTckI4C16JCwcARVfJKHGCPjEPV7Je0TzKBttLyRzxVJtTpIfJc5BM2V-zTl7De3npdIIVHPxIt/s1600/1308333603image_web.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihLWun0eB1ohxgx4MiO5JR1tL3SwDlqXgHIawkvsL0VmYimqexVzt90NGnLILHe755CxTckI4C16JCwcARVfJKHGCPjEPV7Je0TzKBttLyRzxVJtTpIfJc5BM2V-zTl7De3npdIIVHPxIt/s400/1308333603image_web.jpg" width="400" /> </a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihLWun0eB1ohxgx4MiO5JR1tL3SwDlqXgHIawkvsL0VmYimqexVzt90NGnLILHe755CxTckI4C16JCwcARVfJKHGCPjEPV7Je0TzKBttLyRzxVJtTpIfJc5BM2V-zTl7De3npdIIVHPxIt/s1600/1308333603image_web.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"> </a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihLWun0eB1ohxgx4MiO5JR1tL3SwDlqXgHIawkvsL0VmYimqexVzt90NGnLILHe755CxTckI4C16JCwcARVfJKHGCPjEPV7Je0TzKBttLyRzxVJtTpIfJc5BM2V-zTl7De3npdIIVHPxIt/s1600/1308333603image_web.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"> </a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihLWun0eB1ohxgx4MiO5JR1tL3SwDlqXgHIawkvsL0VmYimqexVzt90NGnLILHe755CxTckI4C16JCwcARVfJKHGCPjEPV7Je0TzKBttLyRzxVJtTpIfJc5BM2V-zTl7De3npdIIVHPxIt/s1600/1308333603image_web.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"> </a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihLWun0eB1ohxgx4MiO5JR1tL3SwDlqXgHIawkvsL0VmYimqexVzt90NGnLILHe755CxTckI4C16JCwcARVfJKHGCPjEPV7Je0TzKBttLyRzxVJtTpIfJc5BM2V-zTl7De3npdIIVHPxIt/s1600/1308333603image_web.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"> </a></div>Dutch coup d'état in art and culture: Appeal for response! <br />
<br />
www.dezaaknu.nl<br />
www.schadekaart.nl <br />
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Last week in a memorandum titled "More than Quality," the State Secretary for Culture, acting on behalf of the Dutch government (a minority government of liberals and Christian Democrats, whose hold on power relies on the support of Geert Wilders's anti-Islam Freedom Party (PVV)) announced his new "vision" for the field of culture, which represents nothing less than a violent and sweeping political manoeuvre aimed at the very notion of culture and art, its role in society, and its place within the democratic sphere. With the exception of but a handful of "top international institutions" that will be spared, the entire field of internationally focused and future-oriented artistic experimentation, innovation, education, and development, which has distinguished the Netherlands and given it a leading international position in the field for many decades, is to be demolished practically overnight. Instead of preserving the values of experimentation, risk, and vision, the memorandum leaves us with rhetoric about "strengthening the responsibility and resilience of citizens" and letting "the market" take its "natural" course.<br />
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To be clear: Dutch professionals in the field of art and culture are aware of the fact that some cuts in funding are necessary given today's economic situation and that a recalibration of support may be called for. Furthermore the cuts in arts funding might seem of lesser importance in light of what is happening, with the same brutality, in the fields of healthcare, social reform, education, the media and scientific research, among others. However it is in solidarity with all these realms that we raise our voices in disagreement about the sweeping, overreaching, and devastating broad cuts proposed.<br />
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Speaking from the position of our field, we find it essential to point out that what we are facing is in fact an end of an internationally valued cultural climate, which we dare say is unparalleled anywhere in the world. In and outside of the Netherlands, the art world has benefited from the existence of a cultural system of generosity towards the artistic and cultural imagination of the future, which today finds itself under threat of extinction. We must articulate our disagreement with these developments, and our resistance to them together, in order to prevent the following from happening: <br />
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In the fields of art and culture, the budget will shrink by 200 million Euros; for visual art it means going from 53,3 to 31 million on an annual basis, taking immediate effect in 2013. Amongst other things, this will lead to:<br />
• A 50 % cut in the budget for stipends and working grants for artists;<br />
• A 50% cut in the budget of the Mondriaan Foundation, the body e.g. responsible for supporting international projects; <br />
• A dramatic reduction of the number of contemporary visual arts institutions receiving state support (which currently include Witte de With, De Appel, BAK, Marres, etc.) from 11 to 6; <br />
• A total withdrawal of all support for art magazines; <br />
• The end of government subsidies for functions now fulfilled by the Manifesta Foundation, SKOR | Foundation for Art and Public Domain, and the NiMK – Netherlands Media Art Institute;<br />
• The end of all public financing of the post-academic education for artists offered in places such as the Ateliers, Rijksakademie voor beeldende kunsten, European Ceramic Work Centre, and the Jan van Eyck Academie.<br />
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Given this dramatic situation of the annihilation of government support for broad sectors of the internationally-recognized Dutch contemporary art field, we hope that you — our international colleagues — will respond fiercely and immediately to this extermination of our future heritage by signing this <a href="https://spreadsheets.google.com/spreadsheet/viewform?formkey=dHkxbE5rVDZ5bGQ0UU9QUnJHbzdULXc6MQ">letter</a> and returning it to us. We will hand over all letters to State Secretary Halbe Zijlstra.<br />
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Ann Demeester, Guus Beumer, Maria Hlavajova, Arno van Roosmalen, representing De Zaak Nu, various institutions and individuals in the contemporary visual arts all of whom are concerned about the future of the whole cultural field in the Netherlands. For more info see www.dezaaknu.nl and www.schadekaart.nl. <br />
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///////////////////////////////////////////////////////////////////////////////////////////////////Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0tag:blogger.com,1999:blog-1553274681078701016.post-19957236467550687752011-06-07T16:39:00.000-07:002011-06-07T23:56:10.023-07:00Creative Company ConferenceHaarlem, June 7, 2011.<br />
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<b>Dying to connect…. Hipe or hope? </b><br />
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Set in the quietly located Haarlem's Philarmonie, the <a href="http://www.creativecompanyconference.com/">symposium</a>'s aim, according to its founder Rudolf van Wezel, is to connect creativity with business, with connectivity as this year's main theme. Creative Value Networks, Creative Entrepreneurship, and CCC Lunchtime Experience – as a relative outsider to the world of marketing and management, I found myself more and more puzzled by the managerial jargon and mindset of the day. Notions and words, which I have worked with for years, have apparently made it into the latest management theories (read: manuals, hypes, trends, buzz). Here's a selection of magical equations which claim to bring about change and innovation.<br />
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From Martijn Hamman's "Dominate Your Market" presentation (Van den Enden & Deitmer)<br />
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KISS: Keep It Stupidly Simple<br />
Think BIC: Believe Innovate Collaborate<br />
The 3 S: Sizeable Scalability Sustainability<br />
CFIMITYM: Cash FLow Is More Important Than Your Mother<br />
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& and these are two striking ideas about today's world...<br />
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Entrepreneurship is the engine that drives the world.<br />
Thinking becomes more important than knowing.<br />
(...)<br />
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At regular intervals during the day, we are invited to connect to each other, the speakers, and even the (great) American bookstore in the entrance hall. By noon, I have to think of a recent article in NRC Next, which argued for a society without managers - its main claim being that most management is actually mismanagement, wasting resources, attention and time, and parasiting the creative discourse. A point in case in this respect is the book The Conversation Manager, by Steven van Belleghem. Van Belleghem rightfully points out that word-of-mouth and trust dynamics are the core incentives that drive our decisions regarding our careers and lives. His next claim is more problematic - according to him, conversations can and should be managed, hence providing a wealth of opinion-driven PR space to step into (and profit from). I would have liked to ask him about his last good conversation, and if we would have enjoyed finding out that it had been schemed from beginning till end. Or, as the day's comedian from Boomchicago neatly put it: crowd sourcing is kind of like if i invite you to dinner and I ask you what are you making me for dinner….<br />
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Uneasiness and resistance are interesting phenomena - they point to conflicting values and ethics. That I react as I did, comes as no surprise – "the room was filled with creatives wanting to go into business and business people wanting to be creative" (Boom Chicago).<br />
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"We need all need a Why" was a popular statement of the day, which could have connected the business and creative minds in the room, but strangely enough the conference itself was mainly instrumental in character. Notions that I work with as bearers of meaning, came by today as selling points: content, conversation, value, these notions have become quantifiable – hence manageable, which to me (forgive my longing for authenticity)endangers their actual (intrinsic) value.<br />
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<b>It's all about reputation.</b><br />
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Can we imagine others models of success than the capitalist, profit driven one? Creativity is about intrinsic motivation, what is your incentive system? What are the consequences of embracing the network as a business model? How can design thinking help foster ecosystems?<br />
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According to Neil Robertson (Crowdsortium.org), crowd sourcing is a petri dish to test new forms of motivation, which do not rely only on money; examples of these new labour models are Mechanical Turk, or 99 designs. U tester, Trada, and Kloud score are other professional rating systems that reshape the labor market. The fact that we can now quantify expertise has made us move from a meritocracy to expert based markets. However, a danger, pointed out by a member of the audience, is that skills become commodities. To which Robertson cryptically replied: (…) We are commoditising the transaction costs of being an expert.<br />
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Nonetheless, being able to measure things opens up new territories – knowing about latitude and longitude helped us position ourselves, hence enabling us to move on to other, yet unknown horizons.<br />
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"Young people are today's leaders. They are the astronauts - I take care of their safe landing, and that of our customers." Ruurd Priester (Strategy Director Lost Boys)<br />
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"The issue with creative industries is you don't know what you get. That's the point of creativity. This is uncomfortable to the rest of the market, because most of the world lacks the confidence to trust this kind of processes. The norm is delivery, not research." - Victor van der Chijs (Managing Director OMA, Chairman Creative industries)<br />
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The creative sector should re-invent itself. It should concentrate on cross-overs, so that the collective intelligence of creative industries can start to be applied to urgent issues, who up till now have been left up to technocratic institutions. Now is the time, because we can organize processes now in one tenth of the time it used to take. Such is the conclusion, which van der Chijs formulated, partly fed by the architectural practice of OMA. By expanding their activities beyond architecture and bluffing their way into other fields of strategic thinking, OMA diversified its risks as an enterprise and broadened its scope of expertise. At the core of this move is the twofold identity of OMA / AMO, where OMA is the 'regular' architecture firn while AMO focuses on everything but architecture.<br />
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Some other of OMA's business model assets include: inventive and creative, profitable but not profit driven, no compromise in quality, talent scouting, short term work contracts. A distinct feature of OMA is its chameleon identity – in order to win the CCTV pitch, OMA became semi-Chinese in its organization, so as to understand the political context, speak the language, and be sensible to the local context. This mimicking behavior is a known entrepreneurial trait - mimicking allows us to empathize and hence develop adequate sensibilities for a given task. <br />
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<b>At least I'm not laying bricks, or why running is considered opulent in Rwanda</b><br />
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According to Sarah Lacy, the day's last speaker, good entrepreneurs should be brilliant, crazy and cocky, by which she means: someone who foresees things the rest of us don't see, who is delirious enough to think he / she is the one to do something about it, and who has the courage to stick to his / her gut feeling, even when everyone will say them wrong.<br />
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"We talk about emerging economies and we only look at jaw dropping demographics – the problems the emerging world is facing today are problems that the west never had to face - we can learn from their entrepreneurial approach."<br />
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What we call innovative is not really innovative. Often what makes something innovative is its execution.<br />
Types of cultural innovation, which Lacy encountered in her scouting research are: innovative monetization (Tencent: making money from instant messaging, China), innovative delivery (sms newsletter as a means of synchronizing supply and demand and connecting fractured communities, India), innovating the Old economy (a brick layer bluffing his way into building a house in 24 hours, ending up building a contested village near a gigantic dam amidst the Amazon region), Innovative society (rolling out fiber optic cables, which literally repair the country's social tissue, Rwanda).<br />
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What can we learn from all this? Pressing issues should (re)claim their space at the center of our discourse (Banny Bannerjee of the Standford Design Program). I couldn't agree more.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHEiWr6x8IkdNKl8mGqwAHpLpcglvOjOehSdZCyJbbFSYLVhL6xAX5LXk3BVCzVT1GUTY92PDDVnt2DV5oaW2lifiKycDardiwCfjU4HWozsj6H1AoFxifKLzzasw9xdr24b-DprmTHK5Q/s1600/news012011_0002_Layer+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHEiWr6x8IkdNKl8mGqwAHpLpcglvOjOehSdZCyJbbFSYLVhL6xAX5LXk3BVCzVT1GUTY92PDDVnt2DV5oaW2lifiKycDardiwCfjU4HWozsj6H1AoFxifKLzzasw9xdr24b-DprmTHK5Q/s320/news012011_0002_Layer+2.jpg" width="320" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkEGbUiKZ1TJgpCbSdbPcSsCdIhWRKAIdhCgo9rriZgHy2R6aaPZwYZuWayDZOmjDKJLVGH2zSHRcshEZkdZpJ91FFMXMK3LbP6JF7D42AOBagMYaSt2ZpAKvTsqyJndZx0o5O-LKvq-Zl/s1600/news012011_0003_Layer+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkEGbUiKZ1TJgpCbSdbPcSsCdIhWRKAIdhCgo9rriZgHy2R6aaPZwYZuWayDZOmjDKJLVGH2zSHRcshEZkdZpJ91FFMXMK3LbP6JF7D42AOBagMYaSt2ZpAKvTsqyJndZx0o5O-LKvq-Zl/s320/news012011_0003_Layer+1.jpg" width="320" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRKA-EO7xL3lNi0A6JNxGkbedFmB9Xd9Z0qibaolfWXynnUBEZqr5OpQL7zeqk1QlbgvCZp5qvQEDwTEvBVkVRFDSfisdzeUY6K-mOkdfaXxPhG5-1Ef456XQf0Not_M15pdN3rjk6W1ru/s1600/news012011_0004_Background.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRKA-EO7xL3lNi0A6JNxGkbedFmB9Xd9Z0qibaolfWXynnUBEZqr5OpQL7zeqk1QlbgvCZp5qvQEDwTEvBVkVRFDSfisdzeUY6K-mOkdfaXxPhG5-1Ef456XQf0Not_M15pdN3rjk6W1ru/s320/news012011_0004_Background.jpg" width="320" /></a></div>Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com1tag:blogger.com,1999:blog-1553274681078701016.post-53822607626802792912011-05-23T13:27:00.000-07:002011-05-23T13:27:15.510-07:00till death do us part<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4ht6p0kiFFqfesS-KeL4a8Cj3PZ4kANZyWN_vER4EUWbs0ZKIrXeye_Xn4I2oJKZy81EzArctIOre2YftMZHNRx7DASWsQ0OV7MTwzVFFzhWETLJPTuQFSXngUIHXuZP5PQfkyitH9Wid/s1600/bonnieandclyde.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4ht6p0kiFFqfesS-KeL4a8Cj3PZ4kANZyWN_vER4EUWbs0ZKIrXeye_Xn4I2oJKZy81EzArctIOre2YftMZHNRx7DASWsQ0OV7MTwzVFFzhWETLJPTuQFSXngUIHXuZP5PQfkyitH9Wid/s320/bonnieandclyde.jpg" width="320" /></a></div><span style="font-size: x-small;">Bonnie & Clyde, shot by the police on may 23rd, 1934, in an ambush outside their hideout.</span>Atelier Sophie Krierhttp://www.blogger.com/profile/17549642082920115860noreply@blogger.com0